fivefingeredstyre said:In the movie, McGann pushes open both doors before the cutaway to the deeper shot of both doors open from the front...
eta
As if by magic...
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temporary placement, i'll tidy it up later
irl those lights are white, but in pictures they look bluish. color grading my pictures like the movie was shall make the light back to white and the paint job apear à darker more purple color. Wich was what i look for.
no color grading
color grading ruffly
Volpone said:It's funny, I'm one of the biggest proponents of "the blue doesn't matter, the light will change and it will look totally different in a minute" argument but this is one that I'll have to come back to as proof. I'd have never believed that blue was dark enough for the Hudolin TARDIS, but with lighting appropriate to the way it was shot it is dead-on. You almost expect Paul McGann and/or Sylvester McCoy to be stepping out of it. Very nice.







